There was a visitor.
There were ten visitors.
There were times he missed his rifle.
There were times she wished she had a gun.
The blow was intended to be glancing.
The blow was intended to just miss.
The blow was not intended to connect.
There were times she rolled over in the night.
There were times she rolled over in the night and he sat up.
There was a visitor.
There were ten visitors.
There were times he missed his rifle.
There were times she wished she had a gun.
There were times he rolled over in the night and thought he was somewhere
else.
The blow was intended to be glancing.
The blow was intended to just miss.
The blow was not intended to connect.
There was a visitor.
There were ten visitors.
There were times he missed his rifle.
There was a mop and a woman and a pile of men.
There was glass everywhere.
The blow was intended to be glancing.
The blow was intended to just miss.
The blow was not intended to connect.
There was vomit on the floor at his feet.
There was a visitor.
There were ten visitors.
There were times he missed his rifle.
There were times she wished she had a gun.
There were times he punched a wall.
There were times she wished he’d be found dead in the street.
The blow was intended to be glancing.
The blow was intended to just miss.
The blow was not intended to connect.
The blow was not intended.
- Festivaljahrgänge
- Donaueschinger Musiktage 2011
- Themen in diesem Beitrag
- Jennifer Walshe, WATCHED OVER LOVINGLY BY SILENT MACHINES für 5 Stimmen und DVD
- Verwandte Beiträge
- Werke des Jahres 2002: Jennifer Walshes "Here we are now", Bericht über Jennifer Walshs "Here we are now", Blog: Vokalkonzert am Sonntagmorgen im Bartóksaal der Donauhallen, Werke des Jahres 2014: Jennifer Walshes "The total mountain", Konzertinstallationen von Chris Newman und Julius Stahl; die Performancekünstlerin Jennifer Walshe